Sunday, December 30, 2007

Jr Smith Retard Dance

PHOTOGRAPHY COURSES 2008


Photography Course 2008
sponsored by ESU-Culture organized by Venice
Ass Cult.ArchCineFoto
for college students
meetings will take place at fortnightly

RULES 'OF REGISTRATION
INFO: archcinefoto@inwind.it www.archcinefoto.it


FEE
Membership + Registration fee

COURSES


BASIC PHOTOGRAPHY COURSE
n.3 meetings theoretical and practical
Each meeting includes a discussion of a topic. Lesson # 1


Introduction to photography and the use of photography:
time, aperture, Target, Angle, film sensitivity.

Lesson 2
Digital Photography: digital, resolution, formats.
place on the possibilities of editing (framing, lighting, contrast, color and black and white photography)
WebGallery 2007: http://www.archcinefoto.it/home/webgallery07.htm

Lesson Photo 3
off camera.
rayograph
Create and draw on photographic paper with light: chimigrammi, frames.

WebGallery
The exercises are not mandatory.
Who will participate in the training material WebGallery and photographic exhibition of the course. PHOTOGRAPHIC EQUIPMENT
and pantry will be provided free during the course. Certificate of Attendance



PHOTOGRAPHY AND OFF CAMERA pinhole photography
n.3 meetings theoretical and practical
Each meeting includes a discussion of a topic. Lesson # 1


Introduction to the origins and the discovery of photography.
Photographic images off camera: chimigrammi and frames. The
pinhole photography.

Lesson 2
Chimigrammi.
Man Ray: rayograph.
Hands: production and chimigrammi frames.

Lesson 3
How to build a pinhole camera.
Hands: pinhole photography.
WebGallery 2007: http://lezionifotografia.blogspot.com/2007/12/fotografia-stenopeica-esercitazione-1.html

WebGallery
The exercises are not mandatory.
Who will participate in the training material WebGallery and photographic exhibition of the course. PHOTOGRAPHIC EQUIPMENT
and pantry will be provided free during the course.
Certificate participation


BASIC PHOTOGRAPHY COURSE / SHORT
n.2 meetings theoretical and practical
Each meeting includes a discussion of a topic. Lesson # 1


Introduction to photography and the use of photography:
time, aperture, Target, Angle, film sensitivity.

Lesson 2
Digital Photography: digital, resolution, formats.
place on the possibilities of editing (framing, lighting, contrast, color and black and white photography)
Work on snapshot: Maurizio Galimberti.
WebGallery: http://www.archcinefoto.it/home/webgallery05.htm

Friday, December 28, 2007

South Park Wedding Invitations

pinhole photography: Exercise 1

FORBIDDEN TO REPRODUCE ANY PART OF TEXT AND IMAGES

EXERCISE: Photography Course by Ass Cult. ArchCineFoto

Venice in December 2007
Camera crafts: cardboard boxes
Size Hole: about 1mm
Recovery time: 10 seconds
Weather: cloudy haze +
Shooting: Canal Great


pinhole photography negative


pinhole photography positive

by Romina Crude
Photography Course at ESU-Culture Venice

Facial Tattoo Disability

pinhole photography: Exercise 2

REPRODUCTION PROHIBITED PART OF TEXT AND IMAGES


EXERCISE: Photography Course by Ass Cult. ArchCineFoto

Venice in December 2007
Camera crafts: cardboard boxes
Size Hole: about 1mm
Recovery time: 10 seconds
Weather: cloudy haze +
Catch: Grand Canal


pinhole photography negative

pinhole photography positive


Photography Course ArchCineFoto by Romina Crude
at ESU-Culture Venice

Biochemistry Of Fatigue

pinhole photography


pinhole camera in the nineteenth century

pinhole camera is a photographic process that using the principle of camera obscura for the reproduction of images.

BUILD A pinhole camera
In English "pinhole camera", in Italian "pinhole camera".

- box with black
- millimeter hole instead of the objective
- photosensitive paper loaded in the opposite side of the hole

- you can use a manual camera
- put in place objective a cardboard with a hole millimeter - load the film (we recommend fast film) - we recommend using a tripod - always photographed in bright-contrast subjects choosing

"proofs as all things put 'n are all a site for everything and all in the part. I say that if one side of an edifice or other place or country that is illuminated by the sun, till his opposite a' home, and that face has not seen the sun has made a small spiraculo retondo, that all things aluminized send their similarity to that and will appear spiraculo inside the house in the opposite face, which vol be white, and will be there and just upside down, and if I did do a lot of that lochi similar busi-like effect would be in everyone ". Leonardo da Vinci /" Atlantic Codex "

by Romina Crude

Pokemon Screen Larger

SHORT HISTORY OF PHOTOGRAPHY

Even the Greeks of Aristotle knew the pinhole, although witnesses say that the Arabs (to Ibn Haitam or Alhazen) released the first "camera obscura".
You'll find evidence about the "camera obscura" in the scientific literature of the thirteenth century, he also talks about Leonardo da Vinci.
1802 Wedgwood and Davy obtained the first image photochemistry (see note) who can not keep it
In 1816 when the brothers Niepce, Chalon sur Saone, starting their experiments to obtain an image photochemistry.
1819 Herschel studied photographic chemistry.

1826 Niepce obtained the first image "photochemistry" stable.
1829 Niepce and Daguerre associate and began researching it on the light sensitivity of silver iodide.

1832 in Brazil Hercules Florence obtained the images and called photochemical Photography
1833 the Englishman William Fox Talbot, a friend of Herschel, he began researching to get a photochemistry.
1839 Daguerre presented at the Academy of Paris, the official invention of photography.
1839 Fox Talbot announced a major discovery, "the calotype" a method for obtaining photochemical negative images on paper and the possibility of duplication.
1840 Draper (USA) performs the first photographic evidence of the Moon by the method of Daguerre.
1852 Fox Talbot in England, invented the photo-engraving.
1854 was born in the USA ambrotypes (JA Cutting).
Disdéri 1854 in Paris launched the fashion of "cards de visite.
1858 Nadar made the first aerial photograph of Paris.
1888 George Eastman launches its first Kodak camera.
born 1892 Vogue magazine.
1893 was born on 35 mm film .
born 1903 Camera Work magazine photography.
1904 color photography was officially founded by the brothers Lumiere. Autochrome The color is a positive image on glass plate coated with an emulsion of silver salts panchromatic and color of potato starch.
1905 in New York, the gallery "291" by Alfred Stieglitz.
In Italy between 1911 and 1912 the brothers Bragaglia and Fotodinamismo.
1914, experimented with a new Kodak film: Kodachrome.

1919 Walter Gropius founded the Bauhaus in Weimar.
1925, the first Leica 35 mm, was born on photojournalism.
1925 he was the debut of the electronic flash.
While in 1926, the U.S., the first television broadcast.
1928 film 16 mm color film.
1940 the first color negatives and prints on color paper first Agfa and Kodak).
1947 Land invents the Polaroid.
born 1947 Magnum.

1948 Japan sells first Nikon 35 mm.
1955 SIPA Press was founded in Paris.
1967 saw the birth of the magazine Photo.

by Romina Crude

Sunday, February 25, 2007

How To Stop Mascara From Flaking

photography classes

photography classes
Their purpose is to demonstrate the technical and artistic use of two key elements of a camera: the shutter and aperture. Each lesson is accompanied by: - \u200b\u200btechnical data with theoretical definitions and a proposal for a tutorial - historical note, which proposes a historical author who has used the technical element in an artistic way (described herein).


LESSON 1
Technical BOLT - Shutter speeds
L ' shutter is a curtain that prevents the rigid film is reached by light before the shutter button is pressed. The
stays open is the "shutter" or exposure to light.
addition to adjusting the amount of light time can also emphasize the movement when it is very fast (250-500-1000 -2000) stops them (they are "frozen"), while a slow tempo (30-15-8-4 -2-1-B) highlights it, creating the effect of camera shake. The time scale is: 1-2-4-8-15-30-60-125-250-500-1000 (1/second).

Effective SEA
moved in the moving subject appear blurred or confused, while the background (property) is sharply focused.

PANNING
Panning is a technique used to shoot subjects in motion while maintaining the impression of dynamism of the image, the subject appears (more or less) clear while the background is moved.
The technique is to follow the moving subject with the camera on the subject.


EXERCISE EQUIPMENT FOR EXERCISE

blur and panning:
or digital SLR-Camera-Stand

-Goal: greater than 50 mm optical
-A student's choice whether to use the photo Color or black and white or dgt

EFFECT SLIGHT RECOVERY TECHNIQUE
-Light: Night and day-
Choose a subject you like
-point shot: change the viewpoint moving about around, above or below the subject
-Keep 'aperture
-Vary the exposure time (in the exercise of higher than second in a very short time)

PANNING CAMERA TECHNIQUE
-Light: Night and day
-Preparing for the camera perpendicularly to the subject-for example, on
side of a road to take a car or a cyclist.
-For a successful image is important to prepare the shot, follow the movement of subject by turning the body pivot legs (well off) or on the dock.
-The choice of exposure time is a key element in the success of the panning and should not be too short (under penalty of loss of blurring the background) or too long (loss of the freezing of the image of the subject).

Card
ERNST HAAS Theoretical and historical context

Ernst Haas, born in Vienna in 1921, he enrolled in medical school, but during the war was forced to abandon their studies. Began photographing as a child, in 1950, is a freelance photojournalist for magazines, "Der Film" and "Heute," From 1949 to 1961 is a member agency Magnum. Since 1951, Haas predominantly uses color materials and works as a freelance for magazines like 'Life' , 'Look, Vogue and "Holiday." It focuses on color in motion, sports reportage. Then follow your instinct and look for its images to the streets in the city. Haas is now considered one of the pioneers and great masters of modern color photography, and a master of the "moved" as a visual solution to make the emotional states. In 1971 he published the book The creation, imaging interpretation of Genesis, which reveals his personal code of view. He died in New York in 1986.


Ernst Haas, Magnum


LESSON 2
Technical APERTURE - LIGHT

The
diaphragm is a barrier with an opening round or polygonal or down, is the objective .
has the main task of adjusting the amount of light passing through the lens, influences: the color, contrast and sharpness.
The scale of the openings or apertures is as follows: 1,4-2-2,8-4-5,6-8-11-16-22, each value corresponds to an opening. A small values \u200b\u200bof aperture openings are large, small iris correspond to values small openings, for example: f 1.4 aperture wide open, pass a lot of light, f 22 aperture, low light switches.


EXERCISE EQUIPMENT FOR EXERCISE
Stand-
or digital SLR-Camera-Lens
elective course (135 mm lens used in the practice) should be used
-color photograph or film

TECHNICAL RESUME
-Choose a subject you like (architecture, still life or any other inanimate object)
-Prepare the camera on a tripod is recommended
-recovery front (like the one used in the tutorial)
-Light: It is recommended spread (the early morning or an overcast day, as in this tutorial)
time-keeping stable the apertures vary from minimum to maximum value.
As you open the aperture, for example from 22 to 16 to 11 to 8 and so on. Increases the amount of light passing through the lens and the film is impressive.
By increasing the aperture decreases, however, clear space behind or in front of the subject in focus.

Card
Edwards WESTON Theoretical and historical context

Edward Weston was born in the United States in 1886, after the first approaches to photography follows Stieglitz's theories about the "photo Direct.
After some experience of reporting (to highlight the trip to Mexico with Tina Modotti) is devoted to still life.
His photography is original because it transforms natural forms into pure abstraction.
In 1932, along with Ansel Adams and other leading photographers founded the "Group f.64", the name represents the maximum aperture that provides clarity, definition and contrast. In 1936 he traveled in the California desert that will yield an immense artistic photography.
died in 1958 in California.


Edward Weston, Pepper, 1930